Tag Archives: audio

Dragonflight by Anne McCaffrey

Dragonflight by Anne McCaffrey (unabridged audiobook read by Dick Hill; 9 hrs 14 min on MP3): Lessa is a young girl who bonds with a queen dragon and joins the dragonriders to fight the Threads, a vague enemy which sounds more like a natural disaster than anything. I’ve read a lot of fantasy in my day, but this was my first visit to Pern, and I spent much of the time wondering how in the world so many books managed to be written in this series. The characters are shallow and not especially likable, the names are all spelled with apostrophes (ugh!), the writing was awkward and flowery, and the paradoxes brought on by time travel were frankly tiresome. I guess if I had some kind of existing affinity for dragons I would have been more drawn in, but I don’t. I sincerely doubt I’ll be reading anything else set in Pern.

A note on the audio: Hill’s dialogue was great, though his reading of the description was pretty meh. Then again, I’m not convinced that’s not mostly the fault of the prose itself, as opposed to his acting ability.

The Girl with the Dragon Tattoo by Stieg Larsson

The Girl with the Dragon Tattoo by Stieg Larsson (unabridged audiobook read by Simon Vance, translated by Reg Keeland; 16 hrs 21 min on 13 discs): Mikael Blomkvist, fresh from a libel conviction, has stepped down from the editor’s desk of the magazine he founded, Millenium. Shortly thereafter, Swedish industry tycoon Henrik Vanger hires him to research the disappearance of his niece Harriet nearly 40 years before. Meanwhile, 20-something antisocial genius Lisbeth Salander is slowly attempting to put her own life together. Eventually the two meet and begin working together on the case. The plot is complicated, with almost too many Vangers to keep track, but I definitely enjoyed it. I felt the suspense and was saddened by the sad parts and cheered at the victories of the Good Guys. I learned that I know pretty much nothing about Sweden and Swedish history, and was a little concerned at how misogynistic the society is portrayed. There was quite a bit of graphic rape, murder, and mutilation, to the point where some of it felt rather gratuitous. (Likewise with Blomkvist’s sex life: does he sleep with every single woman he meets or just most of them?) Still, I found the story engrossing and just had to know what happened next. More importantly, I have a real affection for Salander and I look forward to reading of her later adventures in the rest of the trilogy.

A note on the audio: I’ve listened to Vance read other books, and he was likewise excellent here as well. I particularly enjoyed his voice for Lisbeth, since it was both undeniably female without being a caricature.

The Robots of Dawn by Isaac Asimov

The Robots of Dawn by Isaac Asimov (unabridged audiobook read by William Dufris; 15 hrs 47 min on 15 discs): This time around, Baley is sent to Daneel’s home planet of Aurora, the first and most arrogant of the spacer worlds, to solve the “murder” of Jander the robot. Along the way he must deal with his own crippling agoraphobia, the Auroran prejudice against Earthmen, and foreign sexual mores. That last bit was the most unexpected: the lengthy and detailed discussions of sex and sexual practices, compared and contrasted among Earth, Aurora, and Solaria. I had trouble not thinking about Asimov’s doofy muttonchops, turning these passages even more surreal. It was certainly a well-written book with lots of interesting speculation into human societies, but it is easily my least favorite in the series. That said, it was particularly fascinating to read this after reading Foundation, as this was clearly a sort of prequel to it, from the talk of a galactic human empire to the introduction of psychohistory as a field of study. Taking into account the references to Susan Calvin (of I, Robot fame), I start to wonder just how many of Asimov’s books take place in the same universe.

A note on the audio: There isn’t nearly enough Daneel in this book, and I think Dufris’s excellent voice acting made me miss him all the more.

Also posted on BookCrossing.

The Collectors by David Baldacci

The Collectors by David Baldacci (abridged audiobook read by Tom Wopat and Maggi-Meg Reed; 6 hrs on 5 discs): A Congressman is assassinated, then shortly thereafter an employee at the Library of Congress dies under mysterious circumstances. His friends start looking into the case and soon find themselves running for their own lives. At the same time, a woman is running a high-stakes con at a well-fortified casino. This is technically the second Camel Club book, but I didn’t once feel lost or confused having not read the first installment. My favorite parts all took place within the Library of Congress, as I’ve never visited any of its reading rooms or rare book collections (you don’t see many books on the regular tour). The suspense was pleasantly constant, the characters likable and distinct, and the ending satisfying while making way for the next book in the series. A nice piece of entertainment.

A note on the audio: Wopat did an excellent job. Reed was quite good as well, though I was a little confused as to why a second narrator was brought in to voice a single character. The abridgement was fine and I never felt like I was missing anything. Over all, I enjoyed it quite a bit.

Also posted on BookCrossing.

The Naked Sun by Isaac Asimov

The Naked Sun by Isaac Asimov (unabridged audiobook read by William Dufris; 7 hrs 40 min on 6 discs): This time around, Lije Baley is sent to solve a murder case on another planet. I just want to note that sometimes dated SF can be really amusing. In this case, I was entertained by the notion that the “expressway” between DC and NYC takes ten hours. But that’s neither here nor there. As an Earthman, Baley is used to crowded underground cities and always being surrounded by people, be it in the cafeterias for meals or in the public restrooms. The planet Solaria is the opposite: the planet is home to only 20,000 people, each of whom has a private estate and lives more or less as what we would consider a recluse. While three-dimensional holographic “viewing” is a perfectly acceptable means of being social, being in the physical presence of another human being has become thought of as utterly distasteful. Most of the story deals with the society itself, coupled with Baley’s struggles with agoraphobia. I was fascinated by all the different characters, even if the murder mystery felt somewhat artificial. After all, I was more interested in the science fiction part of the story, and in that respect Asimov never lets me down.

A note on the audio: Dufris continues to entertain. I especially love the dichotomy between gruffly emotional Baley and ever-placid Daneel.

Also posted on BookCrossing.

The Caves of Steel by Isaac Asimov

The Caves of Steel by Isaac Asimov (unabridged audiobook read by William Dufris; 7 hrs 48 min on 6 discs): Lije Baley is a regular plainclothesman in far-future New York City sent to investigate a murder of a Spacer (that is, a person born on one of the many colonized planets). His partner is R. Daneel Olivaw, a disconcertingly human-like robot. Baley is a product of his environment, and like many of his displaced fellow humans he distrusts and dislikes robots in general. Though the social differences between Earthmen, Spacers, and the reader’s own society are the main draw of the book, the story itself is very much a 1950s-style detective story. If you like hard SF, you probably already know to read Asimov, but if you’d like your futurism with some mystery mixed in, this is a good place to start.

A note on the audio: Dufris is an excellent voice actor. Sure, his female characters are more or less in hysterics all of the time, but that’s how it was written. And how most women in 1950s hard-boiled detective novels were written as well.

Also posted on BookCrossing.

Divergent by Veronica Roth

Divergent by Veronica Roth (unabridged audiobook read by Emma Galvin; 11 hrs 11 min on MP3): This is not a good book to read while on a YA dystopia kick unless you simply cannot get enough of it. The influence on Roth by giants like Collins and Westerfeld is too painfully evident. Our heroine is Beatrice, native of the Abnegation Faction which values selflessness and comes across a bit like an extreme form of Amish. Each Faction is built around a separate value: Candor (honesty), Dauntless (bravery), Amity (peace), and Erudite (knowledge). At the magic age of 16 (what is it about that age in young adult fiction?), you choose the Faction you will spend the rest of your life in – that is, if you pass the initiation. Feeling like she’s not nearly selfless enough to live in Abnegation, Beatrice chooses Dauntless at the last second, and is launched into a crazy world of thrill-seeking and combat. There was plenty of action, and it was kind of fun watching Beatrice grow from a timid Abnegation to a self-assured Dauntless in little jumps. That was enjoyable and believable. The rest of it, while perfectly fine as far as it went, felt like something I’d heard before. It’s certainly not a bad novel. Perhaps I would have enjoyed it more had I not recently read so many other YA dystopia novels. As it is, it was nothing more than a pleasant diversion while recovering from surgery.

It’s interesting how many YA dystopia novels focus on societies where your life path is chosen from a limited number of possibilities and can never change. My guess is that this is in response to the typical teenage angst regarding all the choices they find themselves facing: colleges, careers, relationships. Sometimes it feels like it might be nice to have it all decided for you. Of course, these stories always involve someone who breaks the mold, thus showing the importance of being free to make your own choices. I also think it’s interesting that it’s mostly women (though The Giver by Lois Lowry is a notable exception). Despite the occasional repetition of theme, I still find myself drawn to dystopia stories, YA and otherwise.

A note on the audio: Galvin was fine. Not very memorable, but the characters’ voices were distinct without being caricatures, which is really all I can ask for in a narrator. I’d like to thank Bewitched Bookworms for this book: I won it in one of their monthly Whisper Stories in My Ear contests. Thanks so much!

Catching Fire by Suzanne Collins

Catching Fire by Suzanne Collins (unabridged audiobook read by Carolyn McCormick; 11 hrs 37 min on 10 discs): Katniss is back home in District 12, richer than ever but still not safe from the Capitol’s reach. I enjoyed the story, even if it was clearly just a bridge between the first and third books in the trilogy. The love triangle was completely forced, reminding me eerily (and embarrassingly) of something I wrote when I was about 14. I like both guys and can understand Katniss’s dilemma, but it was still pretty unbelievable. All the same, it was fun to dive back into this weird world of specialized Districts, and I look forward to reading the third installment that has garnered such strong reactions.

A note on the audio: McCormick continues to shine. I wonder if seeing the movie will be weird after getting so used to her voices for all the characters.

Also posted on BookCrossing.

Uglies by Scott Westerfeld

Uglies by Scott Westerfeld (unabridged audiobook read by Corine Montbertrand; 12.5 hrs on 11 discs): Tally is an Ugly, eagerly awaiting her 16th birthday so she can undergo “the operation” to become Pretty, which transforms her to have all the most evolutionarily desirable physical traits. Then she will move to in New Pretty Town and reunite with all her formerly Ugly friends. Until she meets Shay, who speaks of a place where no one becomes Pretty, where everyone is free to look however they look. When Shay disappears, Tally must find her or risk her worst nightmare: Ugly For Life. Obviously there’s more to this whole Pretty deal than it seems at first; of course there’s something to be said for accepting yourself as you are, but if the only change was cosmetic this wouldn’t be a dystopia story. The “hover” technology was a lot of fun from a SF point of view, but the romance was pretty unbelievable: they go from absolutely nothing to twu wuv in no time at all. It felt pretty forced; I guess you can’t have YA without some kind of relationship. Still, I really enjoyed this one. The ending was reasonably satisfying while being very clearly the start of a larger story. I’m curious to see what ends up happening to Tally and her friends.

A note on the audio version: Montbertrand was a good choice for narrator. Though her voice for Shay was pretty annoying, it was also absolutely perfect for the character. I was especially impressed with the subtle shifts in intonation for the same character before and after their Pretty operation. I look forward to hearing her interpretations of other books, most especially the rest of this series.

I Know This Much is True by Wally Lamb

I Know This Much Is True by Wally Lamb (unabridged audiobook read by George Guidall; 32 hours 15 minutes on 28 discs): Dominick is angry, and has been his whole life. His identical twin brother has paranoid schizophrenia, the woman he loves divorced him, his girlfriend makes him crazy, his stepfather is abusive, and his mother died keeping the secret of his biological father’s identity. Our story begins in 1990 when Dominick’s brother Thomas cuts off his own hand in a public library, believing this sacrifice will somehow prevent the Gulf War. Believed to be a danger to himself and others, Thomas is placed in a maximum security mental institution. Thus begins Dominick’s journey to free his brother from his prison, confront his issues with his parents, and discover the truth about his family history. At first I couldn’t figure out why this book was so danged long, but I was soon drawn in by the characters and their stories. There’s a lot of drama here, a lot more than anything in my personal experience, but I never felt disconnected or disbelieving. The story-within-a-story told by Dominick’s grandfather was especially compelling, being told by such an unlikable narrator. Though it may be long and occasionally feels somewhat scattered, everything comes together in the end for a deeply satisfying conclusion. Dominick, Thomas, and the rest will stay with me for a very long time.

Unrelated aside: When I was in graduate school, my landlord was a skinny, bald, white guy in his late thirties. One day while he was in my bathroom working on the plumbing, he entered my apartment through the front door. Turns out he had an identical twin brother, but man was I confused at first. Because of this, despite loads of evidence to the contrary, I pictured Dominick and Thomas looking more or less like Moby. This is not, I suspect, at all what Lamb intended.

A note on the audio: George and I go way back. He’s not a reader I actively seek out, but he’s extremely talented and makes even the driest prose quite listenable. In short, he’s very reliable, which is fortunate since he’s read basically every book ever. (Okay, maybe I’m exaggerating, but not by much.) As always, he did a lovely job with these characters. I was a little confused when the book ended on disc 27, but there was a nice little interview between George and the author on disc 28. It’s an interesting session, mostly about the creative process, with a few questions about the story and characters answered by Lamb.

Also posted on BookCrossing.

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