Tag Archives: audio

20th Century Ghosts by Joe Hill

Posted by melydia on June 21, 2011 None comments

20th Century Ghosts by Joe Hill (unabridged audiobook read by David Ledoux, 12 hrs 11 min on 11 discs): I have discovered that I generally don’t go for short story collections, but after reading Heart-Shaped Box, I figured I could make an exception for Joe Hill. I’m glad I did. Most of the stories could be classified as some variety of horror, and those were generally my favorites. I particularly enjoyed Voluntary Committal, The Black Phone, and 20th Century Ghost. Definitely recommended, though not for the squeamish. He is his father’s son, after all – though I would argue that Hill is the better storyteller of the two.

A note on the audio: Ledoux is simply excellent. This is what voice acting is supposed to be. His tone, inflection, usage of stuttering and dramatic pauses – all of it adds to the atmosphere of each story. Brilliant. I definitely need to pick up other books he’s narrated.

Also posted on BookCrossing.

Children Playing Before a Statue of Hercules edited by David Sedaris

Posted by melydia on June 13, 2011 None comments

Children Playing Before a Statue of Hercules edited by David Sedaris (audiobook with multiple readers; 3 hrs 30 min on 3 discs): A friend gave me this, as we are both Sedaris fans. None of this is his work (save the introduction, which was on par with most of his better essays), but I decided to trust his judgment and try something new. As with most collections, the stories were of varying quality.

Where the Door is Always Open and the Welcome Mat is Out by Patricia Highsmith, read by Cherry Jones: Mildred is rushing around frantically to prepare for her sister Edith’s visit. The reader was great, but the story itself was pretty boring. Maybe it was because I just wasn’t all that interested in the characters, or maybe because all the minutia felt excessively detailed.

Bullet In the Brain by Tobias Wolff, read by Toby Wherry: A fascinating little vignette that stretches out an instant of time into a fully coherent narrative, and it ended at just the right spot too.

Gryphon by Charles Baxter, read by David Sedaris: A new substitute teacher with crazy ideas. Sedaris did an excellent job, which is kind of surprising since he tends to narrate in a sort of monotone, but somehow he managed to get across everything with subtle changes in pitch and inflection. Probably my favorite of the batch.

In the Cemetery Where Al Jolson Is Buried by Amy Hempel, read by Mary-Louise Parker: I’ll be perfectly honest here: I had a whole lot of trouble following this one. Maybe I was just distracted, but I have absolutely no idea what it was about.

Cosmopolitan written and read by Akhil Sharma: A somewhat strange tale about an older Indian man attempting to have an affair with his American neighbor. Sharma probably should not have read his own story, as his cadence tended toward the droning, but I still very much enjoyed the story, and the ending made me smile.

In all, not a bad collection. These are the sorts of stories we’d read in creative writing classes, which gave me weird flashbacks from time to time, but it was a nice break from the string of novels I’d been listening to lately.

Also posted on BookCrossing.

The Hunger Games by Suzanne Collins

Posted by melydia on June 10, 2011 2 comments

The Hunger Games by Suzanne Collins (unabridged audiobook read by Carolyn McCormick; 11 hours 11 minutes on 9 discs): In a kind of Battle Royale-meets-The Running Man-type setting, each of the twelve districts in what used to be the United States must submit two randomly-selected teenage tributes – one boy and one girl – to the annual Hunger Games, where they fight to the death until only one remains. The story starts on Reaping Day (the day the tributes’ names are drawn) and ends when the victor returns home. Our narrator, Katniss, volunteers to be a tribute for District 12 (somewhere in the West Virginia area, I think) when the name of her younger sister is chosen. Since she’s the one telling the story you can be reasonably sure she won’t die, but it’s still quite gripping as you follow her fight for survival. There was a good balance between the drama of the games and Katniss’s confused emotions as a sort-of love triangle emerges. Never a dull moment. Can’t wait to find out what happens next.

A note on the audio: McCormick was great, using subtle but distinct voices for each character. I especially enjoyed her version of Haymitch, and I look forward to her interpretation of the other books in the trilogy. And for some reason, even though I knew she was supposed to be an olive-skinned brunette, I kept picturing Katniss as Atlanta Silverstone. I don’t know if this is because of the character or the narrator, but that’s how it is.

Also posted on BookCrossing.

How I Live Now by Meg Rosoff

Posted by melydia on June 3, 2011 None comments

How I Live Now by Meg Rosoff (unabridged audiobook read by Kim Mai Guest; 5 hours on 4 discs): Rebellious American teenager Daisy is sent to England to live with her aunt and cousins, and a somewhat nebulous world war breaks out soon thereafter. It felt a bit like the author was wondering what would happen if World War II broke out today, except without actually picking specific countries to go to war with. Of course, the enemy’s identity isn’t all that important, since Daisy is the narrator and has little interest in politics anyway. The story is told well, with some horrific scenes, some sad scenes, and some happy scenes, and all in all I found it a perfectly believable representation of how such a person would deal with such a situation. I was somewhat confused by the weird psychic powers held by some of the characters, if only because everything else in the tale was completely realistic. In short, I’m having difficulty summing up my feelings about this book. It was almost equal parts trivial and serious, narrated by a character with whom I only somewhat sympathized. I’m glad to have read this, but I’m not sure I’d necessarily recommend it to anyone else. If I were to recommend it at all, I’d definitely go with the audio version, as I believe the punctuation issues in the print would drive me absolutely bats.

A note on the audio: Guest was quite good as the narrator, but it was a little strange that none of the English characters had English accents. Even so, she managed to make Daisy both believable and listenable as a pretty typical American teenager – no small task, that.

Also posted on BookCrossing.

Dream Angus by Alexander McCall Smith

Posted by melydia on May 18, 2011 None comments

Dream Angus by Alexander McCall Smith (unabridged audiobook read by Michael Page; 3 hours on 3 discs): A sort-of retelling of the myth of Angus, Celtic god of dreams and youth and love. The chapters alternate between the story of Angus’s life and more modern vignettes that somehow incorporate Angus in various forms. Though Angus is supposedly a god of love, all the vignettes were rather sad: love lost, doubt, infidelity. I felt very disconnected from the whole thing, really. The parts about Angus’s life came across more like someone was describing the myth to me, while the other stories were so vague (and dreamy, if you’ll forgive me) that I never quite got into them. In short, this book was decent, but did not convince me to seek out other books by this same author.

A note on the audio: Page, on the other hand, was quite good. His English and Scottish accents were lovely, and his Canadian accent was even somewhat convincing. (This is high praise; I have come across very few UK actors who can speak with a convincing North American accent.)

Also posted on BookCrossing.

Guilty Pleasures by Laurell K. Hamilton

Posted by melydia on May 11, 2011 None comments

Guilty Pleasures by Laurell K. Hamilton (unabridged audiobook read by Kimberly Alexis; 10 hours on 8 discs): This book certainly lives up to its name. Anita Blake is an animator, someone who raises folks from the dead for money (most of the time to settle posthumous court cases and inheritance disputes). As a sideline, she also assists the police with destroying vampires who murder humans. This time, however, she has been hired to figure out who is murdering vampires. I figured out who it was as soon as the killer was introduced, but that didn’t detract from my enjoyment of the story. Anita is sarcastic and amusing, kick-ass but still very human. The idea of a legally recognized vampire subculture is intriguing. I don’t see myself reading the rest of the series, but this was a fun little distraction.

A note on the audio: Alexis had a good voice and cadence as Anita. I was a little puzzled by her choice of voices at times (why, for example, did Ronnie sound like she was from North Dakota?), but all in all I enjoyed her narration.

Also posted on BookCrossing.

The Red Tent by Anita Diamant

Posted by melydia on May 10, 2011 None comments

The Red Tent by Anita Diamant (unabridged audiobook read by Carol Bilger; 12 hrs on 10 CDs): Most people know the story of Joseph and the coat of many colors, but do you recall that he also had a sister? Dinah is only mentioned in a single chapter of Genesis, and then only as a victim. This is her story. Though told in first person by Dinah herself, it covers the time period from her parents meeting to years after her own death. I admit I was more interested in learning about Bronze Age life than Old Testament drama, but I enjoyed the narrative as well – more or less. I never felt any sort of emotional tie to any of the characters, perhaps because Dinah herself was so fixated on motherhood as to almost be a caricature of pre-suffrage womanhood. Though I understand and accept that motherhood was the primary occupation and ambition of most women of the time, I got a little tired of the constant obsession with wombs and menstruation and pregnancy. Then again, the male characters weren’t any more developed. I was surprised by the devoted polytheism of the wives of staunchly monotheistic Jacob, though given the lack of communication between the sexes I suppose it’s not so far-fetched. I’m not sure if I’d recommend this one or not. I mean, it was okay, but not a story that will stick with me.

A note on the audio: Bilger’s pronunciation of Dinah took some getting used to: I would have said DYE-nuh, but Bilger said DEE-nuh. Her voice was so gentle that I felt like I was listening to an advertisement for prescription medication, but all in all she was fine: inoffensive and unmemorable.

Also posted on BookCrossing.

Dune by Frank Herbert

Posted by melydia on May 6, 2011 2 comments

Dune by Frank Herbert (unabridged audiobook read by Scott Brick; 26 hours on 22 discs): It took me a long time to get into this one, but that’s okay because it’s a long book. In many ways this is a political thriller that takes place on a distant planet. Paul, son of Duke Leto, is 15 when his family is transferred to the desert planet known as Arrakis. When a rival baron takes over, Paul and his mother are forced to flee into the desert, where they join with the planet natives. Politics mingle with religion, genetic engineering, prophecy, and the meticulous conservation of water to produce an intricately woven tale in a meticulously detailed world. This level of world-building is on par with Tolkien. However, the story – though unquestionably interesting – has not gripped me so thoroughly that I feel any need to read the subsequent books in the series. But I’m glad to have read this one.

A note on the audio: I’ve listened to a fair number of books narrated by Brick, and while his cadence is predictable and does pretty much no special voices for the characters, I like his performances nonetheless. I do, however, think that including the final appendix (which is basically a glossary) was not such a good idea. It would have been nice to reference while reading the rest of the book, but at the end it felt tedious, and I ended up skipping most of it. The other appendices, on the other hand, were very interesting. Herbert clearly put a lot of thought into the creation of this story’s universe.

Also posted on BookCrossing.

The Thief Lord by Cornelia Funke

Posted by melydia on May 3, 2011 None comments

The Thief Lord by Cornelia Funke (unabridged audiobook read by Simon Jones; 8.5 hrs on 7 CDs): Young brothers Prosper and Bo are on the run in Venice, having escaped their aunt Esther who intends to separate them. Esther hires Victor, a private investigator, to find them. Soon Victor finds himself in the middle of a complex plot involving orphans, mysterious counts, and a certain Thief Lord with secrets of his own. Though the fantasy element was an interesting treatment of classic Bradbury, it came out of nowhere and left me a little cold. If the story leading up to that part hadn’t been so thoroughly within the realm of Realistic Fiction it would not have been quite so jarring. That said, it was still a fun little tale with likable characters, and I am still a little bit in love with Scipio.

A note on the audio: Though his use of voices is a little strange with some of the female characters, Jones is a thoroughly entertaining narrator.

Also posted on BookCrossing.

Mrs. Frisby and the Rats of NIMH by Robert C. O’Brien

Posted by melydia on April 25, 2011 None comments

Mrs. Frisby and the Rats of NIMH by Robert C. O’Brien (unabridged audiobook read by Barbara Caruso; 7 hrs 15 min on 6 discs): I grew up on the movie version, and figured it was high time for me to finally read the book. Mrs. Frisby is a widowed mouse with four children living in a cinder block in a farmer’s garden for the winter. At the start of the story, her youngest son Timothy is ill with pneumonia and cannot leave the house. However, the plow will be coming through soon, which will destroy the cinder block and kill everyone inside. After helping a young crow named Jeremy, he takes her to see a wise owl, who tells her to ask the rats to move her house. These rats are unusually intelligent, with quite the backstory. I was a little disappointed that Mrs. Frisby never got a first name, but given that her husband’s deeds were the only reason anyone gave her the time of day, I suppose it was fitting. All in all, I liked it. The characters were compelling and the ending was satisfying, if quite bittersweet. I’m not sure I would have enjoyed it as a child; I was fairly sensitive when it came to the death of animals. As an adult, however, I found it to be a fascinating exploration of how a wild animal would deal with newfound intelligence. Recommended.

A note on the audio version: Caruso, unfortunately, narrates as if she were reading to a small child with a learning disability, adding lengthy pauses between each and every clause. It took me well into the second disc before I got used to her cadence. Once I did, however, I had no trouble getting into the story.

A note on the movie: The first half or so of the movie is quite true to the book, but it adds a mystical element in the form of a magic amulet. This is completely out of left field, but it does help Mrs. Brisby (changed from Frisby at the insistence of the makers of Frisbee) come out looking more like the hero of the tale. The book is also much less clear-cut: there are no true villains, and you don’t even know for sure who’s still alive at the end. That’s not to say one is better than the other, of course; I enjoy both book and movie for what they are.

Also posted on BookCrossing.

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