Tag Archives: book reviews

Me, Dead Dad, and Alcatraz by Elvin Bishop

Me, Dead Dad, & Alcatraz by Chris Lynch: First of all, I have absolutely no idea why Alcatraz is mentioned in the title, as it is not so much as even referenced in the text, but the title is so catchy I can overlook it. Elvin Bishop is a 14-year-old, self-conscious, fat kid who lives alone with his mother. He comes downstairs one morning to find his uncle Alex, whom Elvin had always been told died in a plane crash years before, very much alive and lying on his livingroom couch. Alex has come out of hiding, seeking redemption from those he hurt. He’s done a lot of terrible things but he wants to do right by his nephew. He does this by completely disrupting Elvin’s life for a few days through gym membership, casting doubt on the intentions of his two best friends, and exposing him to spicy food. The narration in this book, which is from Elvin’s point of view, is quite clever and often gave me an out-loud chuckle. There was a bit of white room syndrome (where you can’t tell where the characters are because there’s no description), but I’ve come to expect that from YA fiction. (As this was an advanced reader copy I can also forgive the constant misspelling of “yeah” as “ya.”) The plot was interesting but didn’t seem to be heading anywhere specific. I enjoyed the little episodic adventures but the ending was abrupt and unexpectedly preachy. I like Elvin as a character but he would do better in wacky comedies than the coming-of-age drama this book tries to be.

Also posted on BookCrossing.

Wolfpointe by Rick Buda

Wolfpointe by Rick Buda: A man is found dead from a propane fire at a construction site. Though it is officially declared an accident, rookie cop Mac MacKurghdy smells a rat. His suspicions lead him through a tangled web of lies and corruption as he tries to get to the bottom of a major environmental threat lurking in the swamps. For a little spice, a supernatural killer also stalks the area. Its relation to the main story is tenuous at best, but it makes for a nice bit of drama at the very end.

Despite the otherwise interesting premise, I had a lot of trouble getting through this book. To say it was poorly edited is an understatement. The grammar is awkward and often incorrect, as in this sentence from the very first paragraph: “He’d dreamed of; of it, again.” Though Buda is far from the first author I’ve wanted to pelt with copies of Strunk & White, I found myself stopping too often to decipher sentences, disrupting the flow of my reading and distracting me from the story. However, the punctuation flaws and numerous typos are easily fixable, as are the more general writing errors (e.g., needlessly repeated details). Buda shows real promise as a storyteller; I can only hope his next book is more technically sound.

Also posted on BookCrossing.

In Her Shoes by Jennifer Weiner

In Her Shoes by Jennifer Weiner: This is my second Weiner book (the first being the popular Good In Bed), and I must say her writing is some of the most indulgent I’ve ever come across. The author insertion is so obvious – all the characters are Weiner (or her opposite, or a person she wishes she knew) in a different costume. The thing that separates her books from your average teen-penned romance is that her themes are so universal that author insertion becomes reader insertion. You see her characters and think, “That’s me. That’s my life.” Therein lies her appeal.

As with most chick lit, the plot was fluff and totally predictable from the start, but that did not make it any less enjoyable. Rose is the older, successful, overweight sister. Maggie is the younger, trouble-making, gorgeous sister. Throw in an intersecting story about an elderly woman named Ella who lives in Florida with her entertaining neighbors at the Golden Acres senior citizen community and you have a fun little romp of a story.

My only real complaint about this book was the all too convenient flashbacks. Too often someone would make some comment which would be followed by an explanation of some childhood event or something they “always” did, which for whatever reason had never been mentioned before. One glaring example of this was Sydelle’s strict adherence to the Jewish faith, which was never brought up until it became an issue. Such “oh by the way” moments made it feel like the character development was done on the fly.

All the same, this was a fun, quick read. Weiner’s always good for one-liners and amusing exchanges, and a happy ending is guaranteed. I don’t imagine most men would enjoy this book (though I think it could teach them a lot about the female psyche), but I would definitely recommend it to any woman looking for little bit of literary candy.

Also posted on BookCrossing.

Ghostwritten by David Mitchell

Ghostwritten by David Mitchell: No matter what the book jacket claims, this is not a novel. It is a series of vaguely interconnected short stories spanning the globe and leaping around in time. A more studious reader may have found more synergy than I did – I have my suspicions regarding the relationships between, for instance, the narrator of “Mongolia,” His Serendipity, and the Zookeeper in “Night Train,” but they are only suspicions. Nothing is confirmed, nothing is clear. Summing up the plot is impossible, but here’s a taste: the book starts with a doomsday cult member awaiting the end of the world in Okinawa, trots back and forth across hundreds of years and thousands of miles, and finally meanders its way back to him at the very end.

A lot of people like books with open endings where you’re not quite sure what’s going to happen or, as in the case of this book, what the hell just happened. I personally prefer things to be at least tied up loosely. I like to know how the characters are related, both to each other and to the overarching story, and there’s simply no hope of that for this story. Too many characters, too many details, not enough repetition for the slow kids like me to keep up.

That’s not to say I didn’t enjoy this book. The characters were phenomenal. All so different and yet so three-dimensional, so real. There was a lot more dialogue in this book than I’m used to, to the point where I occasionally had to backtrack to figure out who was speaking, but in general the speech patterns were distinct enough that he said/she said weren’t strictly necessary. Also, the descriptions of life in the various locations were brief yet so concise I felt like I was there.

In the end, I believe this is a book that requires multiple reads to totally grasp. That is both high praise and harsh criticism. If you like your fiction to be a total mind trip, then Ghostwritten is for you. If you prefer something a wee bit less convoluted, I’d recommend skipping this one.

Also posted on BookCrossing.

1984 by George Orwell

1984 by George Orwell: I’ve wanted to read this for a long time, but was never forced to in school and just didn’t get around to it until now. It’s an important book. Not only does it detail the dangers of totalitarianism, but also raises some really good questions about the nature of the past. Basically, if something happened in the past, and then all documentation was changed so that it appears to have not happened, and then everybody says it never happened, how can you be so sure you really remember it at all?

A brilliant book, if a bit slow in places. It’s driven much more by description of the dystopian land of Oceania than by character or plot. If you’re interested in the inner workings of the socio-political landscape, you’ll enjoy it. If you just want a fun little sci-fi romp, this probably isn’t for you.

All the same, I think it’s a book people should read. The world of 1984 may seem overdramatic, but it is one plausible outcome of the gradual sacrifice of privacy and property in favor of governmental protection or the nebulous “common good.” It’s something worth thinking about. Indeed, that is perhaps this book’s strongest point: it left me with an unusually large number of things to think about. That, my friends, is truly high praise for a novel.

[Note: Star Trek: The Next Generation totally ripped off this book in the episode “Chain of Command” with the five/four lights thing. But Picard was a whole lot more badass under pressure than Winston, so they get points for that.]

The Dilbert Future by Scott Adams

The Dilbert Future by Scott Adams: Scott Adams is a cartoonist. He is not a stand-up comedian nor is he Dave Barry, though this book makes it quite clear that he really wants to be. Still, there is a reason he tells jokes in three-panel comic strips instead of 30-minute monologues. Here he addresses various aspects of life and makes tongue-in-cheek predictions, interspersed with Dilbert cartoons. It was obviously written in sections rather than as a whole, and the entire time all I could think about was how much more fitting these musings would be in somebody’s blog than a hardbound tome published by Harper Business, especially since so many of the predictions have gone out of date since its publication (such as his erroneous predictions for the futures of the cable modem and ISDN). There were some vaguely amusing parts but nothing was anywhere near laugh-out-loud funny, and I had to yawn a bit at the tired “women really rule the world” section – that idea was beaten to death decades ago and hasn’t gotten any funnier in the meantime. Frankly, the most humorous parts were the cartoons, and if I wanted to read those I could have just picked up a collection.

The final chapter, “A New View of the Future,” was inappropriate in this context. For this section Adams “turned the humor mode off” and discussed his personal philosophies. They were interesting but did not fit whatsoever with the rest of the book. His ideas on perception and cause and effect would also have been much more compelling had he bothered to actually research any of the theories and experiments he mentioned. I understand that the goal of this section was nothing more than to make the reader think about the universe a little differently, but it would have been much more effective had he spent an hour at the library finding a couple of references to cite. Saying things like “I’ll simplify the explanation, probably getting the details wrong in the process, but you’ll get the general idea” does not instill in me a desire to take him very seriously. That said, I am giving thought to trying out those affirmations.

Despite the incongruity of the chapter, I still enjoyed it about as much as I did the rest of the book, but for different reasons (the first part was vaguely amusing, the second vaguely intriguing). Ultimately this felt like a Dilbert collection trying to be a Dave Barry book. I think I’ll stick with the comic strips from now on.

Originally posted on BookCrossing.

Lamb by Christopher Moore

Lamb: The Gospel According to Biff, Christ’s Childhood Pal by Christopher Moore: The title says it all. Levi who is called Biff is raised from the dead 2000 years later to share his account of the life of Jesus (who here is called Joshua), most notably the thirty years missing from the other Gospels. During this time Josh and Biff traveled to the East for 17 years, where they shared many adventures, and when they returned he began his ministry.

This book is pretty funny. Biff is a bit of an ass but a total joy to read. He claims to have invented all kinds of things, from sarcasm to pencils, and his witty but straightforward storytelling is a delight. But however irreverent this book may be, it remains true to the person of Jesus – his kindness, his generosity, his honesty. It also does not dance around his divinity: he was the Son of God and the Messiah, but not quite in the way the Jews expected. Biff’s devotion to him is understandable both as a faithful disciple and a lifelong friend.

For most of this book I thought I would be beginning my review with a hearty recommendation against it for any serious Christian. While I still don’t know if a Biblical literalist would enjoy this story, I think any Christian (or anyone else) with a fair sense of humor would get a big kick out of it. Moore’s epilogue, in which he describes his sources and sheds light on what could have been and what was sheer fiction, sums it up very well: “This story was not meant to challenge anyone’s faith; if one’s faith can be shaken by stories in a humorous novel, one may have a bit more praying to do.”

Originally posted on BookCrossing.

The Moon is a Harsh Mistress by Robert A. Heinlein

The Moon is a Harsh Mistress by Robert A. Heinlein: My first taste of Heinlein was Stranger in a Strange Land a few years back. It was, in a word, bad. So I gave up on Heinlein all together, figuring if his most famous and critically acclaimed book was no good, what chance did the others have? This conviction was met with protests from Heinlein fans, saying I need to read some “good” Heinlein before making the call. So I did, though it took me an unusually long time to finish. I just couldn’t get into it. The characters were two-dimensional and shared too many qualities with those in SiaSL: the brilliant innocent (here, a self-aware computer named Mike), the levelheaded and elderly teacher/father-figure (Prof the anarchist philosopher), and the beautiful, “smart” woman whose most highly praised attribute is her ability to keep her mouth shut when the men are talking about important things (Wyoh, a revolutionary with a thing for older men – another SiaSL staple). Another recycled idea (though I don’t know which book came first) was the group/line marriages, where the women are said to be in charge but actually spend most of their time at home worrying about their men. These characters weren’t that great the first time around; the second time was just tedious.

The idea behind the story is fine: the moon is more or less a penal colony under totalitarian rule. With the help of Mike the computer, Mannie (a computer tech who talks – and narrates the story – in an obnoxious dialect that sounds like someone faking a Russian accent very poorly), Prof, and Wyoh engineer a revolution. There is some interesting discussion of political ideals and governmental structure, but without sympathetic characters to bring it to life the story is about as gripping as your average high school civics class. I simply could not bring myself to care one way or the other. Now I wonder, how many more of his books do I need to read before I can officially say I don’t like Heinlein?

The Crimson Petal and the White by Michel Faber

The Crimson Petal and the White by Michel Faber: What a monumental waste of time. I probably shouldn’t begin my review that way, but that was my first thought upon reading the last page just now. This is the story of a lout named William Rackham, his mad wife Agnes, and his troubled mistress Sugar. I especially enjoyed Agnes as the pitiably ignorant and tormented product of her high-society upbringing. I admit my disappointment with this book started when I realized it was about a man who falls in love with a prostitute, but I tried to ignore the cliched premise and get into the story. There was no problem there – the characters are solid, believable, and (mostly) sympathetic. The description of 19th century England is so detailed you can see it in your mind. I did notice that all the major female characters in this story suffered from some physical ailment; I wonder if that was meant to be symbolic. The author wades tentatively into controversial waters – poverty, prostitution, religion – but never shares any sort of opinions either way, appearing to suggest that misery is something that is unavoidable and charity is nothing more than a drop in the ocean, unnoticed and not even worth the effort.

The book, at 833 pages (and it’s the larger size paperback; this thing is massive!), is in severe need of editing. Entirely too much space is given to the frustratingly angstful relationship between the doctor’s daughter Emmeline and William’s brother Henry. It did nothing to further the plot whatsoever, just an aside that never wove itself into the fabric of the main story. They should have had their own book and stayed out of this one. There were other characters who likewise did nothing for the story (such as the prostitute Caroline), but they were minor enough that I can ignore them. The beginning should have been edited as well, as it starts out with a clever method of introducing characters and setting up scenes – the reader is being guided personally through the events by a sort of invisible spirit, invited to follow people around – but this is lost about a third of the way through the book in favor of more traditional narration. It should have been kept throughout or dropped entirely. Finally, I found the obsession with bowel movements annoying. I understand the author’s desire to show that real people lived in these conditions, but I don’t really need to read about it every time Sugar pees. The use of such a term doesn’t help either. Perhaps such words were in the vernacular at the time, but after such flowery 19th century language it is very jarring to run across such modern-sounding slang as “balls” and “cunt” and “fart” in the (third person omniscient) narration.

Even so, I could have overlooked these problems in the interest of the story of the Rackham family, which is honestly engaging and appears to be building to a climax, the anticipation of which makes the book difficult to put down for the last couple hundred pages. However, this lengthy tome still manages to end in the middle of the action. Several of the main characters are left unaccounted for, their fates unknown to the reader. 833 pages and the story just stops, leaving the reader with the sinking feeling that they just wasted all those hours spent getting to know these characters. The story isn’t even tragic enough to feel a satisfying sense of pity – you turn the last page and sit there, dumbstruck, wondering where the next chapter disappeared to and why the hell you bothered reading to that point in the first place.

On the bright side, I did learn quite a bit about the time period and do hope to pick up more historical fiction in the future. Just not by Michel Faber.

Originally posted on BookCrossing

Be Cool by Elmore Leonard

Be Cool by Elmore Leonard: The opening scene, where Chili Palmer is having lunch with a man who ends up getting shot by a hitman, is pretty good. But don’t expect the story to be about that crime. There are vague murmurings about possible connections with the Russian mafia but by and large the scene is nothing more than a hook to get you into the story, then forgotten about soon after. This book is a lot like Get Shorty except that it’s about a singer instead of a laundromat owner. The whole “let’s describe what’s really happening as if we’re making a movie” thing comes back full force, and it gets a little old. There’s even the formerly evil thug that has a change of heart and saves the day, just like in the last one. My suggestion would be to read either Get Shorty or Be Cool, but not both. The story just isn’t good enough to be read twice in a row.

[Note: I’ve seen the preview for the Be Cool movie that’s coming out. As far as I can tell, they’ve changed basically everything – removed a major character, added a few new characters, and beefed up or totally changed several minor characters. And it looks funnier than the book.]

Also posted on Bookcrossing.

© 2010-2025 kate weber All Rights Reserved -- Copyright notice by Blog Copyright