Tag Archives: dylan baker

Squirrel Seeks Chipmunk by David Sedaris

Squirrel Seeks Chipmunk by David Sedaris (unabridged audiobook read by David Sedaris, Elaine Stritch, Dylan Baker and Sian Phillips; 3 hrs on 3 discs): These stories are kind of…awful. Not like poorly written – they’re quite well done, as far as that goes – but like, um, awful. Violent and mean-spirited and horrifying and depressing and generally unpleasant. I honestly am not even sure how many of them were supposed to be funny, something I’ve never had difficulty discerning with any of Sedaris’s nonfiction. The limerick at the end of “The Sick Rat and the Healthy Rat” got a bit of a chuckle out of me, but in general I did not enjoy this collection at all.

A note on the audio: Despite the stories not being my cup of tea, all four narrators were brilliant. I was especially glad to hear Baker, as I’d enjoyed his reading of another book ages ago. Funny how if you listen to enough audiobooks you start remembering readers.

Also posted on BookCrossing.

The Face by Dean Koontz

The Face by Dean Koontz (unabridged audiobook read by Dylan Baker): The two main characters here are Ethan Truman, chief of security for megastar Channing Manheim, and Fric, Manheim’s lonely but surprisingly normal 10-year-old son. Ethan begins the story by investigating some strange packages delivered to his employer, which earns him a fatal shot in the chest…only to wake up back in his truck, unharmed but with his own blood under his fingernails. Also lurking in the wings is Corky Laputa, self-proclaimed anarchist and servant of Chaos, spreading fear and discord however he can.

When it comes right down to it, I enjoyed this book very much, thanks in no small part to Dylan Baker, the reader. His voice acting was convincing, his narration was engaging, and he managed to keep me interested – even rapt in parts – all 19 hours. However, I had a few complaints even Baker’s massive talent could not quell. First, the sappy ending: this being Dean Koontz, I knew that Good would triumph over Evil in the end, but the overly saccharine fate granted a character I didn’t care very much about in the first place was tiresome. Second, the flowery description: most of it was fun and useful in setting the mood, but there’s only so many times you need to describe the rain. Third, there were lots of lengthy details and backstory that weren’t necessary to the story. I have a feeling Reader’s Digest could trim this down to a novella and lose nothing.

Certainly not my favorite Koontz novel, but I may have to track down more audiobooks read by Dylan Baker.

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