Tag Archives: horror

Ring by Koji Suzuki

Ring by Koji Suzuki: I’ve seen the movie inspired by this book (both the American and Japanese versions), and while they were decidedly creepy, the scares were mostly visual so I figured I’d be okay with the book. And I have to say that the films are much more engaging. For one thing, the iconic stringy-haired girl who crawls out of the television doesn’t even make an appearance here. The characters are either superfluous or kind of awful, and many of the details are so silly as to feel forced. The story of VHS tape that kills you a week after watching it is a neat idea, and I like the general storyline, but it’s simply told far better by the films.

Also posted on BookCrossing.

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Horns by Joe Hill

Horns by Joe Hill (unabridged audiobook read by Fred Berman; 13 hrs 45 min on 12 discs): Ig wakes up one morning, hungover and with no memory of the previous night’s activities, to find he has grown horns on his head. Even more disturbing, everyone he meets starts confessing their most horrible deeds and desires to him. He remains the only suspect in the rape and murder of his girlfriend, Merrin, a year prior, so many of these confessions include people’s belief in his guilt. Ig’s brother Terry is a famous trumpet player with a late-night variety show; his best friend Lee is a bit of a weirdo who works for a local politician; his new sort-of-girlfriend Glenna is a good-hearted girl who is pitifully desperate for love. The story of Ig’s search for Merrin’s real killer is interlaced with flashbacks of high school events when his relationships with her and Lee began. Though there are some undeniably horrifying moments and this book is certainly not for the squeamish, nothing ever felt gratuitous. I felt a surprising affection for Ig and Terry; there were parts during the last few chapters when I was smiling through tears. Definitely recommended.

A note on the audio: Berman’s character voices were subtle but distinct. I could recognize Ig and Lee and Merrin and Glenna even before they were named as speakers. There were a few screams that Berman reproduced with gusto – a bit disconcerting to hear while driving – and overall the whole narrative was well done.

Also posted on BookCrossing.

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The Green Mile by Stephen King

The Green Mile by Stephen King: I have found I prefer King’s non-horror stories, and this was no exception. This is a serial novel in six parts (and I actually own all six individual books, in addition to the six-in-one paperback), so I’ll review each one separately.

1. The Two Dead Girls: Not a whole lot happens in this section except for exposition: you learn of John Coffey’s crime, brutally murdering and raping two young sisters, and you get to know the narrator (Paul) and some of his coworkers. One thing I noticed was that Coffey’s guilt is just assumed without much in the way of evidence. This big black man is found holding the two corpses and sobbing away, and everybody figures he must have been the one who killed them. “I couldn’t help it” could have multiple meanings, especially since he didn’t elaborate. But I guess being a black man in 1930s Louisiana was crime enough for these folks. Anyway, it was a fine enough start, though if I didn’t already have the rest of the series I probably wouldn’t have been interested enough to continue.

2. The Mouse on the Mile: I love Mr. Jingles. The dichotomy between him and the other major character introduced – the evil William Wharton – is interesting. I like how Mr. Jingles’s un-mouse-like intelligence is neither questioned nor explained, nor is Wharton’s sheer malice for everyone he encounters. Can’t wait for the next one.

3. Coffey’s Hands: Man oh man, does this one end on a cliff-hanger. Granted, I’ve seen the movie so I know (more or less) what happens, but it’s been so many years that I’d forgotten much of it. It’s at this point that Edgecomb starts to doubt Coffey’s guilt and Percy starts to go over the edge. You can feel the tension build.

4. The Bad Death of Eduard Delacroix: This one is certainly well-named. For all I might not like his horror plots, King certainly knows how to describe gore vividly. That’s a mental picture I won’t be forgetting any time soon. I didn’t think I could hate Percy any more than I already did, but I managed.

5. Night Journey: Honestly, I think this was the most suspenseful installment of the entire series. Edgecomb and his crew sneak Coffey out of the prison to drop in on the warden, and any number of things could go wrong at any moment. Of course, we’re not entirely out of the woods yet, with one more book to go.

6. Coffey on the Mile: Hoo boy. If you’re looking for a good cry, you’ll probably get one reading this. I thought I was okay after the first heart-wrenching scene, but two or three more after that really got me going. But in a good way. The ending is reasonably satisfying, and kind of thought provoking. After all, since it’s told in first person it’s impossible to know for sure what happens to the narrator after the story is finished, and that kind of open-endedness is sort of neat for this sort of tale.

Also posted on BookCrossing.

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20th Century Ghosts by Joe Hill

20th Century Ghosts by Joe Hill (unabridged audiobook read by David Ledoux, 12 hrs 11 min on 11 discs): I have discovered that I generally don’t go for short story collections, but after reading Heart-Shaped Box, I figured I could make an exception for Joe Hill. I’m glad I did. Most of the stories could be classified as some variety of horror, and those were generally my favorites. I particularly enjoyed Voluntary Committal, The Black Phone, and 20th Century Ghost. Definitely recommended, though not for the squeamish. He is his father’s son, after all – though I would argue that Hill is the better storyteller of the two.

A note on the audio: Ledoux is simply excellent. This is what voice acting is supposed to be. His tone, inflection, usage of stuttering and dramatic pauses – all of it adds to the atmosphere of each story. Brilliant. I definitely need to pick up other books he’s narrated.

Also posted on BookCrossing.

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Dueling Monsters Read-a-long

I stumbled across a terribly cute seasonal read-a-long: the Dueling Monsters Read-a-long. Some folks will read Dracula and others will read Frankenstein, then everyone will compare notes. I’ve already read both books, but I think it’s a great idea. And since I’ve read them, I’ll go ahead and answer some of their discussion questions. (Not all of them, mind you, since it’s been quite a while since I read either book, and my memory is like a steel sieve at the best of times.)

Dracula

My review (which somehow never made it to my blog).

Questions:

1. Dracula relies on journal fragments, letters, and newspaper clippings to tell its story. Why might Stoker have chosen to narrate the story in this way? Do letters and journal entries make the story seem more authentic or believable to you? How would the story be different if there were one traditional narrator?

Being an epistolary adds tremendously to the believability of this tale, and allows the narrative to switch between characters without feeling choppy. I particularly enjoyed the different voices of each character.

2. Why does Dracula only drink the blood of English women? Why doesn’t he drink, say, Jonathan Harker’s blood when he has the chance? Why is Lucy Dracula’s first target? What makes her vulnerable?

I suspect this has something to do with the latent sexuality of the vampire figure. Dracula’s wives are very keen to drink Harker’s blood, and Dracula himself prefers women. That, and since women of that time period were regarded as frail and vulnerable in the first place, a little unexpected sickness was less likely to be thoroughly investigated.

5. What are the elements of vampire folklore? For example, what, according to the novel, attracts or repels a vampire? How do you kill a vampire for good? Although Stoker did not invent the mythology of the vampire, his novel firmly established the conventions of vampire fiction. Think of another novel that deals with vampires and compare it with Dracula. (Interview with a Vampire, Twilight…) In what ways are the novels similar? Different?

The thing about Dracula is that it doesn’t firmly establish the conventions of the vampire. He can change into any number of beasts, he is only sometimes harmed by sunlight, etc. His only real requirement is to sleep in hallowed ground, hence the boxes of dirt he lugs all over the place. I did a brief comparison between Dracula and the Cullen vampires in my review of Twilight, and like I said there, I am reluctant to label something as “unrealistic” when it doesn’t exist in the first place.

Also, if you are reading both novels:

11. Was one monster scarier than the other?

Dracula was definitely scarier. I just felt sorry for the monster in Frankenstein.

12. Did either book (or both) surprise you? Was the story what you expected? Were the monsters what you expected? How do the books compare to the stereotypes?

I was surprised at how little of Dracula we see in his namesake novel. Frankenstein was completely different from what I’d been expecting, but I enjoyed it on its own merits.

Frankenstein

My review.

Questions:

1. Victor doesn’t give his monster a name. What does this do for the story? What does it say about us in society today that we think the monster’s name is Frankenstein (besides the fact that we are apparently ill-read)?

Well, considering Victor ran away from the monster shortly after it was created and tried to forget it ever existed, I would have been rather surprised if it had had a name. And I don’t think it says much at all that “we” think the monster’s name is Frankenstein. Look at the movies: it’s a movie about a monster, and it’s called Frankenstein. Usually if the title is a name, it’s the name of the central character in the story. Like Dracula, Dr. Jekyll and Mr. Hyde, Lolita, etc. I suppose there would have been less confusion had the book simply been titled Modern Prometheus.

3. How would this novel be different if the characters could let go of their need for revenge?

Well, fewer people would have died, but I think the bigger change would be if Victor had taken responsibility for his actions instead of creating a monster, leaving it alone, and then acting like it never happened.

5. Victor does not trust the monster; supposedly, that’s why he breaks his promise to create him a companion. Is the monster trustworthy? Can Victory be trustworthy even though he broke his promise?

Neither of them are trustworthy. They’ve both got their own interests at heart. I’m sure the monster would eventually have killed Victor, even if he’d kept his promise.

Like I said, I didn’t answer all the questions (but kept their original numbers so you can see what I left out), but it gave me something to think about all the same. Both are good books to read in their own rights, even if they only vaguely resemble the movies that made them famous.

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Tales and Poems by Edgar Allan Poe

Tales and Poems by Edgar Allan Poe: I have several overlapping collections of Poe, so I decided, once I’d finished reading them all, to put them all together in a single post here. I think by and large that I like Poe, but he seems to alternate between marvelous horror at his best and boring nonsense at his worst.

  • The Assignation – I couldn’t follow this one. What did the drowning child and the art aficionado have to do with one another?
  • The Balloon-Hoax – Wow. That was really boring.
  • The Bells – Fun to read aloud.
  • Berenice – Delightfully disturbing.
  • The Black Cat – Deliciously horrific.
  • The Cask of Amontillado – I think makes Poe so memorable is his vivid first-person accounts from the point of view of a killer.
  • A Descent into the Maelstrom – Not too memorable.
  • Diddling – A random essay on swindling.
  • The Facts in the Case of M. Valdemar – Enjoyably bizarre.
  • The Fall of the House of Usher – Not as interesting as his others, but good atmosphere.
  • Hop-Frog – Um. What is this man’s obsession with orangutans?
  • The Imp of the Perverse – A strange little story on why we knowingly act not in our own interest – such as lying, procrastinating, drinking, and other things sure to get us into trouble – to explain a confession of murder.
  • Ligeia – Didn’t really go anywhere.
  • The Man That was Used Up – Silly, amusing, but ends a bit too abruptly.
  • The Masque of the Red Death – Meh. Weird for no reason and kind of boring.
  • Metzengerstein – I’m not sure I entirely understand what happened in this one.
  • MS. Found in a Bottle – Good suspense, but the ending confused me.
  • The Murders in the Rue Morgue – A rather silly Holmes-esque mystery tale.
  • The Mystery of Marie Roget – Needlessly complicated and hard to follow. There’s a reason Holmes became famous and Dupin did not.
  • The Narrative of A. Gordon Pym – Some good bits, but I think I just don’t like maritime fiction.
  • The Pit and the Pendulum – A delightful tale of suspense.
  • The Purloined Letter – Not bad, but far too wordy.
  • The Raven – An old favorite. I love the contrast between the subject matter and the singsong cadence.
  • A Tale of the Ragged Mountains – Kind of weird. I’m not sure if I liked it or not.
  • The Tell-Tale Heart – Funnier than I’d remembered. One of my all-time favorites.
  • “Thou Art the Man” – Clever but very predictable.
  • William Wilson – Brilliant piece of horror.
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Everything’s Eventual by Stephen King

Everything’s Eventual by Stephen King: When reading King novels, I’ve often felt that the idea was good but the execution was too long and drawn out, and that in general his works would be better as short stories. So I picked up this collection of short stories and was less impressed than I’d hoped. Some of the tales were good, such as the title story, the first-person account of a man about to be autopsied alive, and the man who had been captured by terrorists, but I found most of the rest fairly forgettable. I guess I expected to be scared, at least a little bit. However, I’m not giving up just yet. I’ve been told by many King fans that his earlier stuff is best, so I’ll be on the look-out for a copy of Night Shift.

Also posted on BookCrossing.

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Heart-Shaped Box by Joe Hill

Heart-Shaped Box by Joe Hill: It’s been a while since I last read a good old fashioned ghost story. Here, aging heavy metal rock star Judas Coin purchases a dead man’s suit, purported to be haunted, just for laughs. Unfortunately, it turns out to be indeed haunted by the spirit of the stepfather of an old flame of Jude’s. The writing was deliciously spooky, the rock star angle was refreshingly different, and the ending was satisfying without feeling too tidy. I’ll have to keep Hill in mind next time I’m in the mood for a scary good time.

Also posted on BookCrossing.

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Frankenstein by Mary Shelley

Frankenstein by Mary Shelley: Forget all the Frankenstein stereotypes you know. Forget Igor, grave robbing, neck bolts, electricity, and mobs of angry villagers carrying torches. Victor Frankenstein is a student of natural philosophy (what science was evidently called back then) who plays with chemicals in order to create life from dead tissue. The monster, which remains nameless throughout the story, so frightens Victor that he runs away and tries to forget about it. The monster, initially gentle but driven to cruelty by the repeated condemnation by mankind, vows to ruin Victor’s life in return for creating his misery. It’s an interesting story, one that touches less obviously on the ethics of scientific experimentation, but says quite a lot about the unfortunate importance of beauty in society. Victor is more naive and pitiful than evil or mad. Definitely one worth reading, but don’t go in expecting anything like those famous old movies.

Also posted on BookCrossing.

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Thinner by Stephen King

Thinner by Stephen King: It’s a painfully simple concept for a story: overweight man runs down gypsy, man’s judge friend gets him off, gypsy’s father curses man, man begins to lose weight at a horrifying rate, man hunts down gypsy’s father to get curse removed. Considering all the stuff up to and including the man getting cursed happens before the book even begins, there is definitely not enough story here to fill 300+ pages. It all feels like padding – the altercation with the doctor, the stories of the judge and police chief, even the lengthy bit of tracking down the gypsy caravan. It would have been much better as a short story. I hear the movie is good, which makes sense – this is something that could easily be condensed into a 90-minute film without losing anything. (Though I hear the ending is different, which is a shame since that was one of the few parts of the book that didn’t drag on endlessly.)

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