Category Archives: book reviews

Broken Allegiance by Mark Young

Broken Allegiance by Mark Young: Tom Kagan is haunted by the death of his young son, and to cope he throws himself into his work as a cop in the organized crime unit. His latest case involves a string of murders among Hispanic gangs in Northern California. I’m not sure what all I can say about this. It’s a cop thriller. There’s the evil gangster, the good gangster, the gangster who could be good but can’t seem to extricate himself from the gang. The main villain, Ghost, is truly scary. There were points when I honestly wasn’t sure if everybody was going to be okay. I liked Mikio, loved Garcia, and kind of wanted to punch Gato in the face a few times. In short, it was good, but not in a way that lends itself to a lengthy review. If you like cop thrillers, you’ll like this one.

Also posted on BookCrossing.

Clockwork Princess by Cassandra Clare

Clockwork Princess by Cassandra Clare (unabridged audiobook read by Daniel Sharman; 15.5 hrs on 13 discs): And here we are at the end of the trilogy. I have thoughts and they are all disjointed, so, bottom line up front: I really enjoyed it. I found this trilogy to be far better, both in story and in mechanics, than The Mortal Instruments. The characters have far more depth, and thus are far more interesting to read about. However, I do still believe it was helpful to read The Mortal Instruments first because of how fun it was to see the origins of many things that pop up in that series.

I didn’t think I could love Magnus any more than I already did, but clearly my affection for him knows no bounds.

The revelation about Tessa’s talent was satisfying, as was the defeat of Mortmain and the truth behind Tessa’s clockwork angel. I felt the resolution of the Jem/Tessa/Will love triangle to be a little too convenient, however, despite how much I loved all three characters. Jem’s epilogue was generally unconvincing as well, but perhaps Clare has another book in store for these characters. I kind of hope so, actually, because I love this universe, though I like it better in Victorian times than modern day.

A note on the audio: Finally a good narrator! Why couldn’t they have Sharman narrate the other two books as well? Stupid stupid stupid.

Solomon the Peacemaker by Hunter Welles

Solomon the Peacemaker by Hunter Welles: The structure of this book is rather unique: it is told as a series of interviews with a prisoner named Vincent as he tells the story of his crime. However, the interviewer’s words have all been struck, leaving only Vincent’s answers. Most of the time you can kind of intuit what the interview had said, but at other times it just feels like a convenient break in the narrative, not a place where someone would naturally speak. But that’s all right. It works far better than I was expecting, actually. Somehow a detailed story gets across even with such sparse dialogue and description. Not that I’m entirely clear on what happened, mind. World peace is controlled by a powerful and intelligent computer known as the Peacemaker. This computer is so complex it must interface with a human mind, so a host is chosen once every seven years. Vincent and his wife become involved with a man known as the Preacher, a kind of revolutionary who believes humanity is enslaved by the Peacemaker. It’s all very strange but my biggest issue is that I want to know what happened after the very last page. Did Vincent’s actions change anything? What exactly was he trying to accomplish, anyway? Was Preacher right after all? What happens to the hosts when they’re connected to the Peacemaker? And given the existence of a drug that erases memories, how much of Vincent’s tale even happened?

In short, I was waiting for an “ah ha” moment that never came. I suspect the author was hoping for this novel to serve as a kind of conversation starter. And indeed, I think I would have really enjoyed reading this alongside a friend and discussing it as we went – assuming, of course, that they picked up on more clues than I did. I feel like I didn’t absorb enough information about the world in which the story was set to truly grasp what happened, but I’m also willing to accept that this might be, like Neal Stephenson’s later works, the sort of book that I don’t understand but other people love. I’d recommend this book to someone who prefers their science fiction esoteric and experimental.

Also posted on BookCrossing.

Clockwork Prince by Cassandra Clare

Clockwork Prince by Cassandra Clare (unabridged audiobook read by Ed Westwick and Heather Lind; 15.5 hrs on 13 discs): The story of Mortmain and his clockwork soldiers continues with the angst of Will. Amazingly, Will’s jerkface tendencies from the last book are actually explained realistically here, with a twist that did not surprise me but was still pleasing in how unusual it was. Will’s character in general is given a surprising amount of depth; that plus the secrets revealed and exciting battles and romantic shenanigans made this my favorite Shadow Hunter book so far (including all of Mortal Instruments, which really isn’t anywhere nearly as well-written as this). I’ll be curious to see how various issues are cleared up in the final book: the love triangles, the unrequited loves, the terminal illness, the villain’s mysterious motives, etc. All around a fun ride.

A note on the audio: While these narrators are a huge improvement over the one from the previous book, it’s disruptive to constantly be switching readers. I do not understand why anyone would have thought that was a good idea.

Standing Up by Marion Grodin

Standing Up by Marion Grodin: Though the author of this memoir is a stand-up comedian, this book is not funny. It has its moments, of course, especially at the very end, but by and large it’s a rather heart-wrenching tale of love, grief, addiction, illness, and loss. Grodin grows up in New York, the daughter of actor Charles Grodin and his extraordinarily needy ex-wife Julia. She has complicated relationships with her parents, years of drug abuse, and general aimlessness before she finally decides she wants to be a comedian. I liked reading this – I found it interesting to read about a life so strikingly different from my own – but it is not the same sort of memoir as, say, Laurie Notaro or Jen Lancaster. It is not a series of amusing anecdotes with the occasional touching scene, but rather a series of tragedies with the occasional joke thrown in. Parts of it, particularly when Grodin deals with cancer (her mother’s and her own), can be very inspiring, but do not come into this thinking it’s going to be a laugh-a-minute romp. It simply isn’t.

Also posted on BookCrossing.

The De-Textbook by Cracked.com

The De-Textbook by Cracked.com: I’ve been reading Cracked regularly for years. Though it began as a second-rate Mad Magazine knock-off, the website has become known for consistently high-quality articles that are both educational and hilarious. If you are offended by adult language or juvenile humor, this is not the book for you. Seriously, both the language and the jokes are utterly filthy.

Because this is basically one long Cracked article. It’s laid out like most of their content: lists of incorrect things you were taught followed by true things you never learned about. I’d read some of the material previously, but there was more than enough new content to justify the purchase of the book. I was a little disappointed by the lack of a bibliography, especially since Cracked’s online articles are full of links to references and further reading. Some of the claims were, while not strictly false, also not nearly 100% proven facts as presented. But honestly, while this claims to be educational (and it is, as far as that goes), it is first and foremost a humor book, and a humor site. Read it as such, and you’ll probably enjoy it. You might even learn something on the way.

Also posted on BookCrossing.

Otherworld Tales 2: Demon Invasion by C.T. Markee

Otherworld Tales 2: Demon Invasion by C.T. Markee: Irish and Streak are joined by Irish’s cousin Frost as they search for their friend Huff in the wilds of Mount Shasta. This is the second of the Otherworld Tales series, but reading the first one is not strictly necessary, as Irish and his friends don’t remember the events from that book anyway. There’s less Celtic mythology this time around but far more adventure as our heroes fight monsters and the elements. I liked the cranky dwarves (are there really any other kind?) and the snooty giants. There’s nothing especially unpredictable here – you know that Huff will eventually be rescued and evil will be vanquished – but I think this is a story that would be enjoyed by most children who like fantasy and adventure.

Also posted on BookCrossing.

Clockwork Angel by Cassandra Clare

Clockwork Angel by Cassandra Clare (unabridged audiobook read by Jennifer Ehle; 15.5 hrs on 13 discs): When Tessa travels from her native New York to London to meet up with her brother, she is greeted by the Dark Sisters, strange women who hold her captive, forcing her to master a talent she never knew she possessed: shape shifting. She soon finds herself in the company of shadow hunters, those half-angel humans who uphold the law among the supernatural. Unlike the modern Mortal Instruments series, this takes place in Victorian times. There’s a bit of a steampunk vibe, what with clockwork critters and all that, but it’s not overbearing or overly unrealistic (for a story with demons and warlocks, that is). I like Tessa; she’s smart and confident without being reckless (using “character is too headstrong and doesn’t listen to reason and gets herself into trouble” as a plot device is a pet peeve of mine). The shadow hunters are also pleasantly individual: surly Will, kind Jem, prissy Jessamine, determined Charlotte, flighty Henry. I liked that I couldn’t predict where everything was going, but also never felt like things were plucked out of thin air. I don’t know if I would be enjoying it as much if I hadn’t already been introduced to the shadow hunter universe through the Mortal Instruments series, though I do feel the characters and story are much stronger here. The book ends on a slight cliffhanger, but that’s okay because it’s the beginning of a trilogy. Game on.

A note on the audio: When only a couple of the characters are American, it is best to get someone who can pull off a decent British accent. This reader, alas, cannot.

City of Ember by Jeanne DuPrau

The City of Ember by Jeanne DuPrau (unabridged audiobook read by Wendy Dillon; 7 hrs on 6 discs): Lina and Doon live in Ember, the only city in existence. The sky is black; the streets are illuminated by huge floodlights. When the lights go out, the entire world is plunged into impenetrable darkness. All supplies come from the cavernous store rooms. This is how it has been since the beginning of time, but lately there have been fewer supplies and more blackouts. As a reader, you know that this city is most likely in a cave or underground, the power produced by a hydroelectric generator, but of course the characters have never known anything different. It is, truly, a fascinating idea. One day Lina finds a set of instructions, partially destroyed by her baby sister. She and Doon embark on an adventure as they attempt to decipher it. This is not an overly complicated story, but I really enjoyed all the subtle differences that living in such a place would imply. I look forward to reading the rest of the series.

A note on the audio: Dillon’s character voices were excellent. I could have done without the rather loud sound effects, though. The rush of the river was especially distracting.

xo Orpheus edited by Kate Bernheimer

xo Orpheus edited by Kate Bernheimer: I did not have high hopes for this, as I’d only read books by two of the authors, and didn’t like either one of them. Still, this is a decent (though overlong) collection of stories inspired, however vaguely, by mythology from all over the world. Like all anthologies, there are some fantastic tales (The Sisters by Sabina Murray and The Last Flight of Daedelus by Anthony Marra are particular favorites), some truly dreadful ones, and a bunch that are just okay. The trouble with anthologies is that so many people who write short stories forget to include the story part: it’s just a bunch of descriptive passages with nothing ever actually happening. I would not have complained had the selection here been trimmed down a bit, but I understand the appeal of a nice round number like fifty. I also question the decision to order the tales by myth, meaning for example that all the Icarus tales were next to each other. Of course, this was not consistent: the story inspired by Demeter & Persephone was near the beginning, while the one just about Persephone came much later. I most appreciated the afterwords provided by each author or translator, explaining the connection to their chosen myth (or with mythology in general, as some chose to do). In short, I found this to be an interesting literary experiment, if not to my particular taste. Do not pick it up expecting modern retellings of classic myths. Instead, think of it as a general anthology with mythological elements thrown in.

Also posted on BookCrossing.

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