Tag Archives: drawing

The Joy of Crayons

My pink camo book is pretty much my default sketchbook when going anywhere. I have no rules for it: doodling, drawing, gluebooking, whatever. It’s all welcome here. After all, this was bought on a whim and on the cheap. The pages are smooth, not at all like sketchbook paper. Ink takes forever to dry, but it’s a decent surface for gluing.

Pencil on pink camo paper

Most recently, I dragged this old book to Anime USA in Arlington, Virginia, to give me something to do during the slow times in the artists alley. After gluing in assorted remnants from recent trips to Harpers Ferry and the African-American Civil War Memorial and Museum, I opened my convention program and started to draw a couple of the guests in pencil. Since I was doing this specifically to kill time, I felt absolutely none of my usual impulse to rush. One of them in particular came out fairly well:

Pencil on pink camo paper

Last time I went anywhere with this notebook I bemoaned my lack of coloring supplies. A few months ago I took advantage of the start-of-school sales and picked up a 24-count box of Crayola Crayons for a buck. I love coloring, and I love using as many colors as possible in a given picture. Thus, instead of using a realistic color scheme, my next drawing turned into Lady Gaga meets Jem (or, more precisely, Aja):

Bad Romance or Truly Outrageous?

Then I decided to try something different, and instead restricted myself to black, white, and gray, and was impressed with the range of tones you can get with crayons:

My husband says he looks like Brett Hart

Yes, he’s all smeary and rough, but my post-elementary-school experience with crayons is rather limited. And my patience for monochrome was short-lived:

yay kitty! :D

Do you ever use basic school supplies in your art? Any favorite kiddie brands?

On Drawing Upside-Down

I don’t mean that quite the way it sounds. I learned this technique from my second Basic Drawing course at The Art League. The idea is twofold:

  1. When drawing something with defined corners or parallel lines, turn it upside down to check your angles.
  2. When drawing from a photograph or other movable object, turn it upside down and draw it that way.

The first notion is excellent for drawing things like cubes. I fixed many a wonky corner by turning it upside-down and giving it another look. I have absolutely no idea why this works. Shouldn’t parallel lines look just as (in)correct from any angle?

For the second one, the purpose is to remove your preconceived notions about what something is supposed to look like in order to concentrate on the shapes you are reproducing. This is actually a very good idea, especially when working with human figures, but I’ve found that sometimes very strange things occur. For example, these two drawings are of the exact same thing, except one was turned upside-down:


(Click on the images for larger versions.)

I have no idea what was going on here. I don’t have the original to share with you, which is probably better for my ego, but it was a fairly generic etching of a woman. I put a “viewing box” (that is, a piece of cardboard with a square hole cut in the middle) to define what part of the image I was going to draw. So I know these were of the same section of the same image. I dunno.

The rest of the turned out okay.

I like copying, but sometimes I wish I could create things like this from my imagination.

Intervention Sketching

Me, as sketched by Alex Heberling of alexsguide.net. I'm a poor judge of how much it really looks like me in particular, but my cowlick is spot on!

This past weekend I attended Intervention. We were in the Artist Alley, which always means a lot of time behind a table with people occasionally coming up to talk to you (and/or buy stuff). From time to time I’d wander around and chat with folks, but mostly I just sat and amused myself with my sketchbook.


A couple of random skulls

On Friday evening I participated in a special session of Dr. Sketchy’s Anti-Art School. Our model was dressed as Kali, complete with skull necklace and blue skin. Most of my drawings pretty much suck (30-second poses are not my forte), but I got a couple halfway decent ones I inked and colored the next morning.

Not the best, but certainly the most complete drawing I did that evening.

During the breaks they introduced Stupid Artist Tricks contests. The first was of Kali destroying the world, and mine was chosen as one of the top three by the staff, which would then be voted on through applause. I got by far the least applause, but I was so psyched to have been chosen at all that I didn’t mind. Besides, the girl who won totally deserved it. Her Kali-meets-Katamari was brilliant.

My last-place masterpiece.

By Sunday morning I was starting to get bored and uninspired, so I colored some old line-art drawings I did at another convention, possibly Otakon 2008.

After I ran out of things to color, I drew a vampire chicken.

Look, I don't know.

Anyway, I loved Intervention and we will definitely be there next year. And I’ll probably continue to draw inexplicable things.

Life Drawing

I recently participated in Sketching in the Atrium, one of the Free Summer Saturdays program at the Corcoran Gallery of Art in Washington, DC. I wasn’t entirely sure what to expect, so I grabbed a bunch of pencils and hopped on the Metro.

Basically it was just free life drawing. A (clothed) model posed on a box for ten minutes at a time, and we all drew. Unfortunately, we were sitting in those awful folding chairs where the seat and back are just strips of canvas, and by the break at the halfway point my butt was pretty sore. After about two and a half hours of sketching (with only a half hour to go) I decided I was too tired to continue, snapped a quick photo of the model, and headed out.

Our beautiful model

My drawings didn’t turn out spectacularly, but considering they were each done in ten minutes or less, that’s not so bad. (Of course, I probably would have been happier with mine were I not sitting next to Edgar Friggin’ Degas, who was making masterpieces with – I kid you not – RoseArt colored pencils.) Here are a couple of my favorites:

This was my first time drawing from a real live model. All my previous “from life” drawings have been inanimate objects (and a few sleeping cats), mostly because people tend not to sit still long enough. Yes, I know that’s the idea behind gesture drawing, but I have yet to master that. And ten minutes was just enough time to get down a good solid sketch without having time to obsess over perfecting it.

Free life drawing sessions are extremely rare, and I’m glad I took advantage of this opportunity. There’s another session in September I’ll probably sign up for.

Sketch Crawls in DC

Local artist Elizabeth Graeber has organized a sketch crawl for this Saturday, July 17th, in Washington, DC. The itinerary is extensive, starting at the Washington Monument and ending at the National Zoo (via Dupont Circle). Registration is free; they just want to know how many people to expect.

I’m still waffling on whether or not to go. Ordinarily I’d be there in a heartbeat, but downtown Washington in mid-July isn’t the most comfortable of locales. That, and there’s a BC in DC meet in Silver Spring, MD, near a Moog Guitar Clinic in Wheaton that my husband is thinking of attending. So we’ll see.

However, I will definitely be attending another drawing event this month: Sketching in the Atrium at the Corcoran Gallery of Art in Washingon, DC. Registration is, again, free. It’s being held on July 31st, the same day as the next international SketchCrawl. (There’s another Corcoran event on September 4, which I may also attend.) Hope to see you there!

WG 2010-19: Getting Graphic

This week’s WG is about graphic novels. Now, despite the fact that I’m married to a webcomic artist, my experience with comics is extremely limited. I am slowly (oh, so slowly) working my way through the Death Note manga series and have read the first few collections of Teenage Mutant Ninja Turtles, but I’ve only read three self-contained graphic novels: Malice, which was kind of meh; In Odd We Trust, which was pretty decent; and Cancer Vixen, which was absolutely excellent.

My to-be-read pile has quite a few goodies, however, including The Crow, Watchmen, Preludes and Nocturnes, and Maus. I look forward to those. I have to get into a special mode to read graphic novels, though, or else I just zip from word balloon to word balloon and miss the illustrations all together.  I suspect that comes from reading comic strips (which I love), since often the dialogue is all that really matters.  Not so in graphic novels.

I am also, ostensibly, writing my own graphic novel. As of this writing the story, dialogue, and storyboarding is all finished. All that’s left is the actual drawing. You know, just a minor step.

Rapid Sketching

My husband specifically requested I scan and post more of my sketches, and I’m diving straight into the deep end with these.

Sometimes, for practice, I’ll grab a random pen and sketch quickly in some random notebook. No fancy pencils or sketchpads, just plain old ink and paper. I usually work from photographs, since they’re convenient and I feel more comfortable with them than drawing from life. (I know I just committed a major sin in the art world. Forgive me; I’m a novice.  If I don’t have a photo I usually end up just doodling aimlessly.) A few weeks ago I was at a coffee shop with a friend while she studied for her Physics exam. I was ostensibly there to answer questions, but she ended up not needing me (and later thanked me for providing my Aura of Science). So I decided to pull out a ballpoint pen and draw. What I drew was not what one would call polished or even particularly attractive, but it was fun.

weird cat logo

Simply terrifying.

Lesson learned: closer objects, like eyes, should be larger than those farther away

She's a man, baby!

This one sent my friend into paroxysms of laughter

Needless to say, these aren’t finished products.  I’ve never been very good about the whole “sketch something a few times before drawing it for real” practice either, so nothing like these will probably ever be seen ever again.  But you know, I’m actually kind of proud of them, since I was just using a crappy pen picked up for free at a convention and a $3 Target notebook.  I’ve been rather taken with Michael Nobbs’s inspirational (and free) e-book, and it’s made me think that maybe I should try to “draw my life” – or at least try combining quick sketching with life drawing – more often.

Thing-a-Day

I totally slacked on this and forgot to post this in time for people to actually sign up, and for that I apologize, but I suppose I might as well let y’all know what I’m up to this month: Thing-a-Day. Based on an idea by the incomparable Ze Frank (whose videoblog The Show was simply excellent and I miss it), the challenge is to create something new every day for the entire month of February and post it publicly on the community blog. It doesn’t have to be a big thing – I plan on doing a small drawing each day in a new sketch book I got for free – but it does have to be something and it has to be completed. (At least, I assume it does. You can’t really claim to have created something until it’s finished, right?)

Anyway, I’m participating. This year’s blog format is on posterous, so everything’s going there. I’m uploading them to my gallery as well, because I am just that kind of exhibitionist. The scans aren’t very good but that’s not really the point. The only really irritating part of all this is that I appear to be in a much later (earlier?) timezone than posterous, meaning that my 3am post on February 1st was timestamped the 31st. What do folks in Europe do? Oh well.

If I remember, I might post a month-end wrap-up about the experience, but if this post’s slackitude is any indication, you can expect that it to actually happen sometime around mid-April.

Basic Drawing: Finale

Originally posted 22 August 2009.

Since our final class was canceled, I opted for showing up this morning during my teacher’s painting class. I was the only one from Basic Drawing to show, so I felt a little out of place, but it was fun all the same. For our grand finale he let me choose my three-piece composition and materials. I went for a bottle, a vase, and a teapot, using chalk pastels on newsprint with an arbitrary color scheme. The colors I chose are such that no sane person would ever purchase in ceramic, but it was fun to use so many hues.

Since it was such a complex scene and my first time doing glass in color, it took me about three hours to complete. But I think I’m happy with it. It’s not my favorite (the lilies still win, and in fact are now framed), but it was a satisfying end to the course. I learned a lot in this class. I’d done a little noodling with pastels but I’d never even given any thought to charcoal or chalk. I had a great teacher and really enjoyed myself. The only thing I would have liked would have been to do more actual pen and pencil sketching. Perhaps next time.

chalk pastel on newsprint

And that’s it. I’ll take another class at some point. In the meantime, I’m thinking about getting some sort of tarp so I can use things like chalk and charcoal and pastels in my study without worrying too much about the white carpet.

Not that I have any clue what to do with my drawings. Most of them aren’t frame-worthy but I can’t bring myself to just toss them. So they’ll probably end up sitting in my closet. That’s okay. It was fun all the same.

Note: this is part of the Basic Drawing Series.

Basic Drawing #8

Originally posted 19 August 2009.

We started the evening with a bugger of a pot in charcoal on newsprint. Just a single pot, not a grouping, but even so it was interesting to compare to our drawings from the beginning of the class. With all the weird angles on this thing, I probably would have been crying had he introduced it weeks ago. I guess I have progressed somewhat.

charcoal on newsprint

After that we (finally) used our pens a bit. We still haven’t used all those pencils we had to buy (4B, HB, et al), but at least we did have this one last hurrah with our Sharpies. We covered cross-hatching and stippling. The subject matter (boxes) was boring, but the technique was kind of fun. They involve pretty much what they sound like: cross-hatching is shading using overlapping lines, and stippling is shading with varying density of dots (similar to pointillism but in monochrome). My stippling kind of sucks – I was in too much of a hurry, creating more dashes than dots – but it turned out all right in the end.

ink pen on paper

He closed out the evening by giving us some suggestions for drawing experiments, such as sketching animals at the zoo or making clay models and then drawing them. He also assured me that the “old boys” (which is how he refers to various famous painters) drew from photographs, so I should never feel bad about it. :)

ink pen on paper

This was, for all extents and purposes, our last class. Our teacher has a conflict next week: he also teaches at NOVA, and for whatever reason the two overlap by a week this term. He did, however, give us three other options:

  1. Attend the Tuesday morning class. This would be an actual class, but it would mean taking leave from work.
  2. Attend the Saturday morning painting class. The teacher would be there and I wouldn’t have to use any time off, but it wouldn’t be a real class. Also, it would be pretty packed, meaning less personal interaction.
  3. Join him at the Hirshhorn Museum on Sunday afternoon. It’d be fun (and it’s my favorite Smithsonian), but I doubt much drawing would be involved.

I can attend any or all of them. I haven’t decided what I’ll do just yet. In the meantime, I think I’ll go ahead and scan/photograph all my drawings.

Note: this is part of the Basic Drawing Series.

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