I’ve kept a regular paper diary since 1991, and in that time I’ve never really varied in format: handwritten, text only. For years I even used a special ten-color pen, using a different color of ink each day, though these days I use whatever pen is handy. It’s rare for me to paste something into it, with the exception of the occasional random sticker. When I do paste things into journals, it’s a special book, like a journal set aside for a single trip, or my current GST book. When I draw, that goes into sketchbooks, some of which are separated into specific types. For example, I have one book dedicated entirely to faces drawn with #2 pencil. Everything has its place.
I’m torn on the matter, however. Separate books work well when you only want to do one thing at a time, but that often means packing a bunch of stuff when going somewhere, just on the off chance that I might want to do one thing or the other. And I really love the idea of art journals. I like the idea of writing about your day/life amidst the doodles and collage. I like the pages created by Daisy Yellow, Seaweed Kisses, and iHanna. I’ve even gone so far as to sign up for the gorgeous weekly prompts from Journal52 (and have as of yet completed only one of them).
Some people combine their art journals with commonplace books – collections of interesting quotes and information encountered in books and everyday life. These are usually worked into the art in some fashion, rather than organized into a repository of wisdom, but they share the notion of saving these sorts of things in a central location.
I also like artifact journals, like those of my friend KateKintail, where she glues in one item from her day, as a memento, with often no more than a few lines describing the story behind it. Often she doesn’t even cut it up – just pastes in the whole brochure or whatever in a way so you can still unfold it. No Tetris-esque collages necessary, and there’s still plenty of room to write more if that’s what you want to do. It also doesn’t face the limitation that my GST book has: that is, if there isn’t enough to fill a page, it doesn’t make it into the book at all.
A while back, I came across a nifty set of scans from Austin Kleon’s tour sketchbook (hat tip to Notebook Stories for the link). This in particular really struck me:
I’m on the move a lot, so I don’t have a lot of time to sketch while I’m walking around, but I do have time to collage when I’m back in the hotel room, so I’ve started carrying transparent tape, Japanese Washi tape that my wife gave me, and a pair of safety scissors (TSA says under 4 inches is okay).
This probably sounds strange, but it never occurred to me to just carry around the tape and scissors with you and do your journaling on the go. If you look at his pages, they’re a mixture of writing, clippings, and sketches. The only time I’ve ever come close to this sort of beautiful hodgepodge is in my trip journals, and even with those I only did the collage at the very end, after I got back home. My Japan journal is a good example. I also made journals for my trip to Amsterdam in 2010, Disney World in 2012, and this past April’s Eurotrip. At Disney World in particular I did a fair amount of drawing, something I almost never do in my regular diary.
I think my biggest issue is a feeling of required perfection. The only place I ever feel comfortable in freewriting or doodling or jotting down little notes is in whatever beat-up old spiral notebook I have going at the moment. Diaries are for the chronology of my life; sketchbooks are for completed drawings (not even, perhaps ironically, unfinished sketches); gluebooks are for collages of clippings. And yet, I don’t want to glue stuff into the spiral notebooks because they are so ephemeral (and often too fally-aparty). That’s the place for my first drafts, for straightening out my whirling thoughts, for mock-ups and grocery lists and calculating my hours. If there’s anything worth keeping, I copy it out elsewhere.
So now I’m trying something new. I’ve signed up for the first “kourse” of Sketchbook Skool. Aside from their somewhat irritating obsession with the letter K, it looks like a neat concept: lots of well-known art journalers, such as Danny Gregory and Andrea Joseph (from whom I learned about this), are teaching about illustrated journals and drawing more often in general. I hope it’ll help me figure out what works best for me, as well as give me the kick in the pants I need to get out of this creative rut I’ve been stuck in.
Do you keep any kind of journal? How do you organize things?
. He explained how he started art journaling, and probably had the most influence on me of any of the teachers. His technique of drawing the entire outline of an object (or objects) before filling in any of the interior details was not something I’d tried before. I also particularly liked his purpose in drawing: not so much to capture the image, but to connect with the subject of his drawing. His example was of drawing his son’s shoes, and how while he was drawing them he was thinking about his son.
