The Door Within by Wayne Thomas Batson

The Door Within (The Door Within Trilogy, Book 1) by Wayne Thomas Batson: This is the story of Aidan, a rather emotional 15-year-old boy who finds some old scrolls in his grandfather’s basement that lead him to The Realm, a fantastical land of knights, unicorns, and dragons. I spent much of the book with a nagging sense of deja vu. About halfway through I realized that this story was more or less The Lion, The Witch, and the Wardrobe sans talking animals. It was all there: the Other Land discovered by a child but disbelieved by all their elders except for the old man who owned the house; the semi-medieval setting; and the heavy Christian allegory, without which the story doesn’t make a whole lot of sense (if you don’t recognize King Eliam as Jesus right away, you’ll spend much of the book wondering how he can be responsible for so many things he’s not present for). And despite its thickness, it also is unquestionably a children’s book. The characters are simple, the action is straightforward, and there are even potential vocabulary words in italics (portcullis, gauntlet, etc.). However, I’m looking at it through adult eyes. I’m sure this would be a very enjoyable book for a child, and it is in fact quite reminiscent of some of my favorite books from my youth. The description is very detailed without dragging, most of the characters are charmingly written, and the story is fun. I’m curious to see how the rest of the trilogy plays out.

Also posted on BookCrossing.

Memoirs of a Geisha by Arthur Golden

Memoirs of a Geisha by Arthur Golden: This is the sort of book that draws you in from the very first page. As the title suggests, it is the story of Sayuri, sold by her parents at a young age to an okiya, a geisha house. Not only is it an engrossing story of suffering, longing, and triumph, it’s also a fascinating look at the life of a geisha during the 1930s and 40s. The description of the places and characters was so vivid I could see it all. The whole concept behind a geisha – that having a mistress was not only acceptable but even expected of wealthy men – was somewhat jarring to my Western sensibilities, but the tale was told with such compassion and earnestness that it was easy to get drawn in to the different culture, and almost forget that it was written by a middle-aged American man and not an aged Japanese woman. There were things here and there that struck me as unrealistic – Nobu’s interest in geisha despite finding them irritating, the pure malice of several characters – but by and large it was a great read.

Also posted on BookCrossing.

Eats, Shoots and Leaves by Lynne Truss

Eats, Shoots & Leaves by Lynne Truss: What a charming little book! With genuine affection for the subject matter and a large helping of wit, Truss methodically runs down the rules for apostrophes, periods, commas, exclamation points, question marks, dashes, quotation marks, hyphens, and brackets. If the very word “punctuation” causes you to yawn despairingly, this book is probably not for you. However, if you have even a passing interest in communicating more effectively, I heartily recommend picking up a copy. Contrary to popular belief, the purpose of punctuation is not to drive you bats, but to clarify the written word. It’s quite useful, really, as is demonstrated so well in this book. I learned a lot without ever feeling lectured to, and even laughed quite a bit.

Also posted on BookCrossing.

One Writer’s Beginnings by Eudora Welty

One Writer’s Beginnings by Eudora Welty: I confess, I have not read any of Ms. Welty’s stories. The only reason I’d even heard of this book was because some famous author listed it as required reading for all aspiring writers. Having read it, I’m not entirely sure why. Sure, it’s a lovely painting of life in early 20th century Mississippi, but besides making the point of “good writers can come from any background” there isn’t much to be gained in terms of writing advice. So while I may recommend it as a descriptive and nostalgic memoir, I would not include it in my personal list of a writer’s essential texts.

Also posted on BookCrossing.

Marker by Robin Cook

Marker by Robin Cook (unabridged audiobook read by George Guidall): Healthy patients are dying mysteriously, and medical examiners Laurie Montgomery and Jack Stapleton are on the case. I liked the plot – I wasn’t able to guess the twists ahead of time and I learned a bit about medicine and the medical industry in the process – but some of the language got a little tedious. Perhaps doctors are different, but ordinary people do not regularly use that many four-syllable words per sentence. Cook also has an irritating habit of using “questioned” instead of “asked”, and having a character get impatient at the silence should there be a pause in the narration for a brief bit of description. Taking in someone’s appearance does not cause a noticeable lull in conversation. Most people’s brains work more quickly than that. Overall, however, it’s a pretty good story. I was indeed on the edge of my seat in parts (which is made worse in audiobooks since you can’t read faster to get to the resolution), and the ending was mostly satisfying. Not a deep or especially memorable read, but a nice diversion during my daily commute.

The World of Pooh by A.A. Milne

The World of Pooh by A. A. Milne: This thick volume contains both Winnie-the-Pooh and The House at Pooh Corner, and contains pretty much all of the most famous stories. I’d been meaning to read this since my exposure to these tales had been limited to Disney’s interpretation. Most of the characters were more or less the way I’d imagined, with the exception of Eeyore. In the book he’s less mopey and gloomy than sarcastic and self-centered. To be honest, I think I like this snarky Eeyore better. The stories as a whole were fairly enjoyable, though the sad endings of each book (with a separate story just to say goodbye) got a little tiresome. Growing up really isn’t this big horrible thing. Believe it or not, you are allowed to have an imagination as an adult. That said, I do understand why these tales are so beloved. They are charming and undeniably memorable.

Also posted on BookCrossing.

Freaks

Freaks: This brief 1932 film is about the backstage lives of a group of sideshow performers. The story mostly revolves around the romance between the “normal” Cleopatra and Hans the little person, which reveals the somewhat scary prejudices and alliances among the various performers. It’s definitely a film you won’t soon forget. The acting, however, isn’t all that great and the dialogue is often downright horrible. I think what makes this movie so memorable (and so controversial) is that all the “freaks” are 100% bonafide sideshow performers. There are pinheads and human worms and bird girls and lots more besides. No make-up or special effects here. Perhaps more telling than the movie itself is the hour-long documentary included on the DVD, which talks about the performers’ real lives and careers both before and after this movie was made. Most of all, this DVD raises an uncomfortable question: how exploitative is it really when these people have consciously made the choice to make money by being stared at?

Indelible by Karin Slaughter

Indelible by Karin Slaughter: I would like to start by sharing something that I didn’t learn until the author’s note at the very end of the book: this is a sequel. I imagine much of my confusion regarding the plot of this novel can be attributed to that fact. In short, Sara the pediatrician and her ex-husband Jeffrey the police chief are held hostage by a couple of gunmen who raid the police station. Much of the book is spent in flashbacks to the early 1990s when Jeffrey took his then-girlfriend Sara to his tiny backwater hometown in Alabama, where they witness more dirty laundry in one day than most people accumulate in an entire lifetime. People die, secrets are revealed, bodies are found. Lena, the only female cop on Jeffrey’s present-day force, is part of the rescue detail and has vague issues of her own that are presumably covered in the previous book. It’s a pretty good story, if a wee bit predictable. I got a little tired of waiting for the characters to get around to actually talking to each other instead of running off and looking pensive again, but if everyone were forthcoming and honest there wouldn’t be nearly as much drama. While this book was a nice diversion on its own, I would have preferred to have known about (and read) its predecessors first.

Also posted on BookCrossing.

Grave of the Fireflies

Grave of the Fireflies: Most depressing movie ever. End of review.

Infernal Devices by Philip Reeve

Infernal Devices by Philip Reeve: This is the third installment in a science fiction series (The Hungry City Chronicles) of which I have read no other books. It felt very sequelish: the heroes of the previous books have settled down and had a daughter who grows up with tales of their adventures back in the day. Said daughter then runs away and revisits old villains from said adventures. Despite the rather cliche set-up, it’s a reasonably fast-paced book with fairly interesting characters. If I sound a little tepid, there’s a reason. I couldn’t really get into this book. But it may be due to my ignorance of the setting. I don’t know what anti-tractionists believe, or what the Green Storm is trying to accomplish, or the significance of Stalker Grike. I also don’t have any context for Hester Shaw’s past sins, so such revelations meant nothing to me. The only real lasting impression I got of this book was how violent it is. People – even children – die graphically left and right. It was a little shocking to find in a book aimed at young adults. One thing I’ll say for this book, however: the author knows how to keep his audience. While the main plot issue is resolved at the end, all kinds of loose ends and vague cliffhangers remain. I am curious what happens to Hester and Tom and Wren and Fishcake. However, I am not a very patient reader; I’ll wait until the entire series is released before revisiting it, this time from the beginning.

Also posted on BookCrossing.

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